It was so exciting to have an actual, LIVE performance of If You Could Dance in My Shoes this summer.  We rehearsed with masks, took precautions, but performed the debut show with smiles visible!  Of course, now we're back to square one and wondering when we'll perform live again, but I'm so glad, for the kids' sakes that they had that opportunity.  

Our Musicals for Change Theatre Arts Camp was the first time I've produced a new summer camp show with kids.  Generally, I've rehearsed musicals over a 10-week period during the school year.  However, as a former camp director, I've always believed in the power of the camp experience.  There is something about that daily, intense interaction that creates a special bond.  This is exactly what happened during theatre arts camp, and I have to say that the closeness our students developed created moments I never could have anticipated.

First of all, if you haven't looked at the preview scripts, video highlights, and listened to the music of If You Could Dance in My Shoes, you should!  This show was several years in the making and only got better with extra pandemic editing time.  Secondly, the message of the show - empathy and understanding - was not simply acted but powerfully lived out during camp in ways I didn't expect.  Our students, ages 10-15, came from several different schools.  Some knew each other, others had never met.  We did team building activities in the morning and had a policy of "no one eats alone" at lunch.  Our choreography included a lot of partner dances, and the students had time to talk during scenery painting and shoe decorating.  They also played some wild games of 4-square after lunch each day! Several times I used the Conversation Starters in the Director's Guide to talk about the message of the show:  Have you ever worn shoes that hurt your feet?  Did you have to wear them?  Have you ever been without a home?  Where did you live? Do you have someone you could talk to if you were worried? We had some very thoughtful discussions..

The last morning of camp we ran our dress rehearsal in preparation for the evening's show.  The kids did well but we had a few tech issues which slowed us down.  It was important that we run the show again after lunch; however, we all needed a break and went outside to eat in the sunshine.  Before returning to the stage I decided we should gather as a group one more time.  I wanted to be sure that, in the craziness of our 2-week drive to the performance, the message of the show had not been lost.  The refrain of the song Kick It Up! says "Together, we're better.  Have you ever judged or been misjudged?  Everyone needs love! Love, love, love, love..."  I wondered if the kids had actually absorbed these words. Or did they just perform them?

So, we sat as a group in the shade of the school playground and I asked each student to share one thing about themselves. It could be small (number of pets?) or big.  I started, briefly telling them about my time living in another country where I didn't speak the language.  Many people there were kind to me, but it was difficult to fit in. This wasn't a very deep story, but it was an opening to what turned out to be a flood gate of the kids' deepest difficulties and challenges.   I was completely floored by their honesty, the depth of their feelings, and the empathy and care they showed for each other.  There were tears and hugs, but we had to nix the group hug (Covid, after all) and instead circled up with our hands in the middle for a loud "Let's shine!" before heading back to the stage.  

The performance was wonderful! The kids really knocked it out of the park, but the highlight of Theatre Arts Camp for me was that afternoon in a circle under the trees, listening to each others' stories.  I know it was powerful for the kids too, and a little overwhelming.  However, I thanked them for their honesty and reminded them that "what happens at theatre camp, stays at theatre camp."  It was a very personal time that I hope they treasure like I do.  

What I am finding as I write these musicals is that kids have a lot to share.  That seems obvious, but when you allow them to confront difficult subjects - grief, loss, judgment, self-worth - they grow.  I grow.  It would be easier to write fluff and never have to deal with  hard topics, but what is the gain?  Kids want fun shows but they also need honesty and a greater purpose, just as we all do.  The reward is so worth it!  I am grateful to my students for affirming this belief and hope I can continue to write shows that speak to their deepest emotions, whether it be grief, or the joy of being onstage, singing and dancing with friends.

Today was the first day of the 6th Cribs for Kids National Conference in Pittsburgh, and it was a great reminder of why I do what I do.  Scientists, health professionals and policy makers concerned with the wellbeing of infants were all saying primarily the same thing - the goal of SIDS research is to gather evidence that will ultimately change behavior and create safe environments for newborns.  There also seemed to be a consensus that more pamphlets and information delivered as it's always been delivered are not necessarily the answer.  But that's where the arts come in.  What moves people to incredible emotional highs and lows, spurs empathy and creates understanding better than stories?  And drama?  And music?  Behavior doesn't change just because we have more knowledge.  Behavior changes because we've heard someone else's story and we relate to it on a profound level.  The story of how one couple, Maura and Sam Hanke, lost their son Charlie to SIDS is gut-wrenching.  That tragic story told onstage through music sung by Charlie's sister can be life-changing for others.  I say that's where we start.  We communicate, we develop empathy, we change behavior.  And we use the arts to do it.  

I am a terrible party goer.  While I enjoy a good birthday party or a graduation picnic, don't invite me to your candle party.  My friends know this about me.  I get a little grumpy when I feel like I'm being pressured to buy things that I don't need so you can get things that you don't need either.  If you are offended by this, you won't understand the rest of this post.  However, if you can relate, you may be interested in learning about my musicals.

To be fair, the candle party is the reason I started Musicals for Change, so I suppose there was a silver lining.   By way of explanation, I was pretending to enjoy myself at the party one summer evening and hoping I'd at least win a door prize when it occurred to me that if I were going to gather people together, it would be for a good reason.  A charitable reason, something that would result in an outcome better than a candle (candles are nice - they smell good, but there must be something more  to life than the scent of Pumpkin Buttercream suppressing the odor of stinky shoes in my mudroom).  

As a music educator and church choir director, I am responsible for numerous performances throughout the year.  A well-performed concert is certainly an end in itself, and we all know the power of music.  It can move people in a way that nothing else can.  When you gather people together for  a performance, particularly one involving children, you have a rapt, generally supportive audience.  Why not do even more than lift spirits? Why not take it to the next level and inspire action?  Create change for the greater good?  

My first children's musical written with a greater purpose in mind was an adaptation of the book Beatrice's Goat by Page McBrier and Lori Lohstoeter.  The book tells the true story of Beatrice Biira, a Ugandan girl whose family received the gift of a goat from Heifer Project International.  The goat provided milk  for Beatrice and her siblings and extra income from its kids which allowed Beatrice to attend grammar school all the way through college in the US.  Our production of Beatrice's Goat featured a Ghanian narrator, African percussion, a cup tapping song, dancing 'goats,' and a live goat onstage. Enough money was  raised by that one performance to purchase ten more goats for Heifer Project.  The children also made a large graduation card for Beatrice, who happened to be graduating from college that same month.  They were very pleased with not only their performance, but their ability to contribute to something greater than themselves.

Now I've written a total of five musicals for various causes.  My most recent show, the  Christmas musical No Crib for a Bed (to benefit Cribs for Kids®, a national organization dedicated to safe infant sleep) can be purchased at musicalsforchange.com.  A portion of the purchase price will be donated to Cribs for Kids® and their partner organization Charlie's Kids to further their mission of providing cribs and safe sleep education to young families.  

Musicals like this one have a very concrete mission, one that my young students can understand.  In my experience, when children learn about a need and perform a story that inspires empathy, they want to make a difference.  They just need adults to give them some direction. And when the parents watch their children perform with such earnestness, they are also spurred to act.

So candle parties are fine for some people, but don't invite me.  Not unless you are sending the proceeds to someone who can't afford a meal, much less a candle.  There is so much good to be done, too many stories to be told, and too many songs to be sung.  Instead of buying a candle, just be the light.

​#musicalsforchange